{"id":1042,"date":"2015-08-20T07:51:54","date_gmt":"2015-08-20T07:51:54","guid":{"rendered":"http:\/\/oriolfontdevila.net\/?p=1042"},"modified":"2015-10-18T23:36:29","modified_gmt":"2015-10-18T21:36:29","slug":"antonio-gagliano-buno","status":"publish","type":"post","link":"https:\/\/oriolfontdevila.net\/ca\/antonio-gagliano-buno\/","title":{"rendered":"Antonio Gagliano: Buno"},"content":{"rendered":"\n\n\n\t
\n\n\t\t<\/i><\/span> Download PDF<\/a>\n\n\t<\/div>\n\n\n\n\n\n

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L’\u00fas d’eines\u00a0mnemot\u00e8cniques per representar\u00a0el temps.<\/p>\n

Mapes mentals que condicionen la comprensi\u00f3 del temps com un element\u00a0lineal i progressiu; altres que l’aborden\u00a0com si es tract\u00e9s d\u2019un monstre.<\/p>\n

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La funci\u00f3 dels mites d’origen \u00e9s explicar el m\u00f3n. Els fets hist\u00f2rics, en canvi, pr\u00e0cticament desapareixerien de la nostra consci\u00e8ncia si no fos per la seva inserci\u00f3 en trames narratives que els doten de sentit. Johannes Buno va esdevenir a finals del segle XVII un dels darrers art\u00edfexs de l\u2019ars memoriae<\/em> amb la invenci\u00f3 d\u2019un m\u00e8tode genu\u00ed per recordar amb facilitat. Aquest m\u00e8tode es basava en la construcci\u00f3 d\u2019imatges mnemot\u00e8cniques que consistien en diagrames en qu\u00e8 un seguit de fets hist\u00f2rics es distribu\u00efen de manera estrat\u00e8gica per acabar donant lloc a figures al\u00b7leg\u00f2riques. Buno presentava, aix\u00ed, el segle V com un drac alat, en el qual s\u2019ordenaven un seguit de successos en les parts del seu cos, o b\u00e9 feia que el segle VI prengu\u00e9s la forma d\u2019un \u00f3s estrany.<\/p>\n

Buno parteix de la consideraci\u00f3 que Montju\u00efc pot ser tamb\u00e9 un d\u2019aquests animals monstruosos. La muntanya ha esdevingut al llarg del segle XX una formaci\u00f3, no sols hist\u00f2rica, sin\u00f3 tamb\u00e9 historiogr\u00e0fica, la qual troba el seu punt d\u2019origen en les infraestructures que s\u2019hi varen construir amb motiu de l\u2019Exposici\u00f3 Internacional de 1929. Al soterrani de l\u2019exposici\u00f3 que llavors va tenir lloc al Palau Nacional, un diorama de la cova d\u2019Altamira proporcionava a l\u2019Estat espanyol un passat m\u00edtic. Curiosament, aquest element tamb\u00e9 ha esdevingut la primera pedra del “centre d\u2019acumulaci\u00f3 d\u2019intel\u00b7lig\u00e8ncia\u201d en qu\u00e8, en paraules d\u2019Antonio Gagliano, s\u2019ha transformat tota la muntanya amb el pas dels anys.<\/p>\n

Buno \u00e9s un viatge per les xarxes de la hist\u00f2ria, un viatge en qu\u00e8 els fets recuperen la possibilitat de fluir a contrap\u00e8l de les narratives. Alhora, els fets s\u00f3n for\u00e7ats a fer un gir per tal que siguin aquests mateixos, ara, els que il\u00b7luminin les circumst\u00e0ncies en qu\u00e8 es produeixen els mites que necessitem per entendre la hist\u00f2ria.<\/p>\n

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Antonio Gagliano<\/strong> (C\u00f3rdoba, Argentina, 1982). Viu i treballa a Barcelona. Exposicions recents: ADN Platform (Barcelona), Premio ArteBa- Petrobras (Buenos Aires), Koldo Mitxelena (Sant Sebasti\u00e0), Fabra i Coats (Barcelona), Bienal de l\u2019Havana (l\u2019Havana), Aparador del Museu Abell\u00f3 (Mollet del Vall\u00e8s), Espai Cultural Caja Madrid (Barcelona), MACBA (Barcelona), entre d\u2019altres. Acaba de publicar amb Album Editions el seu primer llibre, El esp\u00edritu del siglo XX<\/em>.<\/p>\n

Arqueologia preventiva<\/strong>: Els projectes d\u2019Oriol Vilanova, L\u00faa Coderch, Lola Lasurt, Antonio Gagliano i LaFundici\u00f3 que es presenten dins del cicle Arqueologia preventiva<\/em> plantegen un seguit de despla\u00e7aments per la capa superficial de la mem\u00f2ria. M\u00e9s que investigacions sobre el passat, es tracta d\u2019un rastreig de les formes en qu\u00e8 la hist\u00f2ria es disposa, es relata i compareix actualment en l\u2019esfera p\u00fablica; un mapatge de les her\u00e8ncies que hem rebut i que articulen la nostra relaci\u00f3 amb temps pret\u00e8rits; un seguit de rutes cap a diferents indrets des d\u2019on s\u2019interpel\u00b7la la mem\u00f2ria col\u00b7lectiva.<\/p>\n

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Download PDF Espai 13. Programa d’exposicions Arqueologia preventiva. 03\/07\/2014 \u2014 07\/09\/2014     L’\u00fas d’eines\u00a0mnemot\u00e8cniques per representar\u00a0el temps. Mapes mentals que condicionen la comprensi\u00f3 del temps com un element\u00a0lineal i progressiu; altres que l’aborden\u00a0com si es tract\u00e9s d\u2019un monstre.     La funci\u00f3 dels mites d’origen \u00e9s explicar el m\u00f3n. Els fets hist\u00f2rics, en canvi, […]<\/p>\n","protected":false},"author":1,"featured_media":1069,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-1042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comissari","any-59","clients-fundacio-joan-miro"],"yoast_head":"\nAntonio Gagliano: Buno - Oriol Fontdevila<\/title>\n<meta name=\"description\" content=\"Buno. 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